* * * * *
(All photographs copyright 2018 by Gerry Dawes.)
Alicia Hall, Sanfermines, early 1970s.
Photo by Gerry Dawes.
My late ex-wife Diana Valenti Dawes and I spent many wonderful sanfermines
with Alicia Hall from 1970 through 1975 and in 1977 and 1978. Some
years we began in Burguete before fiesta, staying at Hostal Burguete,
which was Ernest Hemingway's inspiration for Jake Barnes' hotel during
his trout fishing expeditions in The Sun Also Rises. We would
drive Alicia up there and spend a quiet relaxing time - - reading,
walking out on the road to Roncesvalles to pick tiny wild strawberries
to put on our ice cream after dinner at the Hostal Burguete and having
long discussions about Spain over dinner with plenty of vino tinto.
One
time we were on our way with Alicia to Pamplona (via Rioja and
Burguete). To avoid the maniacs driving southbound Hellbent for the
North African-bound ferries in far off Algeciras on NR1, which was then
just a two-lane highway, which with homeward bound cars passing in the
face of oncoming traffic, causing us to often head for the highway
shoulder (or a ditch). After a few of these close calls, I opted for a
back country road in the direction of Burgo de Osma in Soria in northern
Castile. After a few kilometers, Alicia spotted a bar at the entrance
to a village. "Stop the car!" she said, "Let's go in there and have some
fun." We went in, ordered some vino tinto and had some fun.
It
was in the pass of Roncesvalles where we had a series of now legendary
picnics that delighted Alicia. There is a splendid Brigadoon-like glade
with an icy little stream up there that only the initiated can find
(American Matador-artist John Fulton, who had been there with James
Michener, had introduced me to it). About halfway through the fiestas,
for several memorable years in the early 70s, Diana and I gathered up
Alicia, Hemingway's "double" Kenneth Vanderford, sculptor Lindsay Daen,
and a crazy assortment of believers and made the pilgrimage to this
historic little valley that is haunted by the ghost of brave Roland and
by generations of pilgrims who passed this way over the centuries on the
Camino de Santiago.
Kenneth Vanderford.
We
helped Alicia, the septuagenarian doyenne of bullfight aficionadas,
down the steep slope to the green, grassy, mossy banks of the stream,
where Diana, who had recruited a group of women to collect the food at
the mercado in Pamplona that morning, laid out our splendid repast--chorizos, jamón Ibérico,
local Roncal cheese, tomatoes, tinned seafood, white asparagus from
Navarra, melons, cherries, etc.--while I iced down our Navarra clarete - rosado and melons in the stream.
The
picnic had a formula that didn't vary until the year we stopped going -
- drink some wine, eat wonderful Navarrese food, drink some more wine,
get mellow, lay down on the mossy slopes and tell off-color jokes to a
well-primed audience until the mystical fog drifts in and signaled that
it was time for us to drift back to Pamplona in time for the corrida.
A Swede once had us rolling on the ground in fits by telling a
particularly dirty joke in Swedish, which only the three Swedes,
including the great Rolf von Essen, understood, but the most incredible
thing that ever happened at this event was the near conversion of
Kenneth Vanderford, a died-in-the-wool atheist.
Lindsay Daen blowing his bugle in the pass of Roncesvalles during one of our picnics circa 1973.
This
particular year, a spooky mist of metaphysical caliber had drifted into
the upper tier of our little valley. And Lindsay Daen, the New
Zealand-born sculptor, had still not arrived. Vanderford was telling us
about the legend of Roland blowing his horn to summon his uncle
Charlemagne's army as he fought for his life in this pass. He ended his
tale of the famous Chanson de Roland and remarked that, like lots of
other religion-laced legends, it was mostly nonsense. At that precise
moment, a bugle sounded from high in the woods. Vanderford looked
heavenward and seemed momentarily shaken by what he must have thought
was a call to reckoning. It was Lindsay blowing his bugle as he tried
to locate us. Alicia always got a lot of mileage out of that story over
the years.
Alicia
used to have a Pobre de Mí party at Maitena overlooking the Plaza del
Castillo on the last night of San Fermín. From there, after dinner, we
could watch the fiesta began to wind down with the soulful lament of
"Pobre de mí" followed by the joyous, self-renewing "Siete de julio, San
Fermín!" One memorable year, over a dozen of us gathered around Alicia
for dinner and, as I usually did, I sat next to her.
But, to set the stage, two things must be kept in mind: 1) When I first met Alicia she did not use blue language, so I claim to have taught her how to cuss and 2) Ever since the Pablo Romero tienta during one memorable Feria de Sevilla, I had been encouraging Alicia to marry some aging bull breeder and do him in with sexual excess, so she could inherit the ranch and invite us to secret tientas. These two items were a running joke between us.
But, to set the stage, two things must be kept in mind: 1) When I first met Alicia she did not use blue language, so I claim to have taught her how to cuss and 2) Ever since the Pablo Romero tienta during one memorable Feria de Sevilla, I had been encouraging Alicia to marry some aging bull breeder and do him in with sexual excess, so she could inherit the ranch and invite us to secret tientas. These two items were a running joke between us.
After dinner and plenty of tinto and clarete, Alicia asked me to fetch her some tobaco negro (a
black tobacco cigarette), so I bummed a Ducado from Mike Kelly and gave
it to her. Alicia was trying to act like a seasoned smoker, so she
tried to tamp the cigarette on the table and she broke it. I had to get
her another cigarette, show her how to tamp it, and light it for her.
"Damn, Alicia," I said, "first I had to teach you how to cuss, now I'm having to teach you how to smoke, and I guess if you marry that bull breeder, I'm going to have to teach you how to do that too."
"Damn, Alicia," I said, "first I had to teach you how to cuss, now I'm having to teach you how to smoke, and I guess if you marry that bull breeder, I'm going to have to teach you how to do that too."
Holding
her cigarette elegantly between her fingers, this retired teacher (from
a fashionable young women's school in Atlanta), looked at me with a
gleam in her eye and, with total aplomb she said, "Fuck you!"
That
same night, we watched from the balcony as the mad chef of Maitena went
down to the Plaza and began directing traffic with a meat cleaver in
one hand and an enormous raw chuletón steak in the other.
Later, we all drifted down to the Bar Txoko and I encouraged a Navarrese girl with a beautiful voice to sing a jota. Looking at Alicia, the young woman sang a wonderful moving jota that had the line, “Madre mia, madre de Navarra." I looked at Tía Alicia and we both had tears running down our cheeks. It was one of the most magical moments I have ever known in 50 years of running the roads and fiestas of mystical Spain. But when Alicia was around, magic was never that far away.
Later, we all drifted down to the Bar Txoko and I encouraged a Navarrese girl with a beautiful voice to sing a jota. Looking at Alicia, the young woman sang a wonderful moving jota that had the line, “Madre mia, madre de Navarra." I looked at Tía Alicia and we both had tears running down our cheeks. It was one of the most magical moments I have ever known in 50 years of running the roads and fiestas of mystical Spain. But when Alicia was around, magic was never that far away.
In 1985, Alicia took her namesake, my daughter, Erica Catherine Alicia, to her first and only bullfight.
Photo by Gerry Dawes.
In
mid-September of 1992, I had lunch with Tía Alicia and Michael Wigram
in Madrid. Alice had been upset that I had not been able to come to her
90th birthday celebration in Salamanca on September 13 and I sensed
that it might be our last lunch together in Spain, so I treated Alicia
and Michael to two bottles of López de Heredia, since it had become a
favorite of hers after our visit to the bodega years before. We had a
wonderful time over dinner recounting many of the stories I have related
here.
Alice especially loved to hear me tell my version of the more scandalous ones, like the one I told about the time Diego Puerta agreed to come to a party at the Hotel Eslava, where Alicia always stayed in Pamplona during sanfermines. We all gathered in a room in the basement and began the party, awaiting the arrival of Diego. After awhile, Alicia, who was wearing a slip, decided to remove. Later, I would claim that she took off her slip because she was getting hot and bothered over the imminent arrival of her hero, a notion that was reinforced when Diego did show up, some music was playing and Alicia, by then at least 60 years old, got up and danced on a table.
Alice especially loved to hear me tell my version of the more scandalous ones, like the one I told about the time Diego Puerta agreed to come to a party at the Hotel Eslava, where Alicia always stayed in Pamplona during sanfermines. We all gathered in a room in the basement and began the party, awaiting the arrival of Diego. After awhile, Alicia, who was wearing a slip, decided to remove. Later, I would claim that she took off her slip because she was getting hot and bothered over the imminent arrival of her hero, a notion that was reinforced when Diego did show up, some music was playing and Alicia, by then at least 60 years old, got up and danced on a table.
In
February of 1993, when both my mother and Alicia (my birth mother and
my spiritual mother) lay dying in the same week, Diana and I brought our
daughters down to Southern Illinois to say goodbye to my mom, then
drove on to Atlanta to say goodbye to Alicia for what we knew was the
last time. I brought her two bottles of López de Heredia’s Viña
Tondonia, one of which Diana and I drank at her bedside as we had our
last tertulia.
There
is much more to the legend of Tía Alicia, more than a few lines in this
article can recount. When I originally wrote these lines, Alice Hall
was being buried (she would love it that I was writing about her as she
was being laid to rest) in her hometown of Milledgeville, Georgia, the
same hometown of another very original lady, Flannery O’Conner.
I vowed after she died that wherever I go in Spain, wherever there is a fiesta and a restaurant where it would have been appropriate for Alicia to have been, there will always be an empty chair and a place setting at my table with a glass of agua del grifo, the tap water, which she always drank for the 40 years she spent in Spain; a vino tinto de la casa (when it was her call, she always asked for the red wine of the house); and a cigarillo de tobaco negro. That is the least I can do in her memory.
There was no one like Alicia. To paraphrase the ditty about brave bullfighters that was written on the banner she always carried when her torero Diego Puerta was fighting, "Alicia, Alicia, . . . Como Alicia no hay ninguna."
I vowed after she died that wherever I go in Spain, wherever there is a fiesta and a restaurant where it would have been appropriate for Alicia to have been, there will always be an empty chair and a place setting at my table with a glass of agua del grifo, the tap water, which she always drank for the 40 years she spent in Spain; a vino tinto de la casa (when it was her call, she always asked for the red wine of the house); and a cigarillo de tobaco negro. That is the least I can do in her memory.
There was no one like Alicia. To paraphrase the ditty about brave bullfighters that was written on the banner she always carried when her torero Diego Puerta was fighting, "Alicia, Alicia, . . . Como Alicia no hay ninguna."
The End
* * * * *
Writing, Photography, Public Speaker
& Specialized Tours of Spain & Professional Tour Advice
& Specialized Tours of Spain & Professional Tour Advice
For custom-designed tours of Spain, organized and
lead by Gerry Dawes, and custom-planned Spanish wine, food, cultural and photographic itineraries, send inquiries to gerrydawes@aol.com.
I
have
planned and led tours for such culinary stars as Chefs Thomas Keller,
Mark Miller, Mark Kiffin, Michael Lomonaco and Michael Chiarello and
such personalities as baseball great Keith Hernandez and led on shorter
excursions and have given
detailed travel advice to many other well-known chefs and personalities
such as Drew Nieporent, Norman Van Aken, Karen Page and Andrew
Dornenberg, Christopher Gross, Rick Moonen, James Campbell Caruso and many others.
* * * * *
“The American writer and town crier for all good Spanish things Gerry
Dawes . . . the American connoisseur of all things Spanish . . .” Michael Paterniti, The
Telling Room: A Tale of Love, Betrayal, Revenge and The World’s Greatest
Piece of Cheese
* * * * *
"Gerry Dawes, I can't thank you enough for opening up Spain to me." -- Michael Chiarello on Twitter.
"Chiarello embarked on a crash course by traveling to Spain for 10 days in 2011 with Food Arts
* * * * *
"In his nearly thirty years of wandering the back roads of Spain," Gerry Dawes has built up a much stronger bank of experiences than I had to rely on when I started writing Iberia...His adventures far exceeded mine in both width and depth..." -- James A. Michener, author of Iberia: Spanish Travels and Reflections
* * * * *
Shall deeds of Caesar or Napoleon ring
More true than Don Quixote's vapouring?
Hath winged Pegasus more nobly trod
Than Rocinante stumbling up to God?
More true than Don Quixote's vapouring?
Hath winged Pegasus more nobly trod
Than Rocinante stumbling up to God?
Poem
by Archer M. Huntington inscribed under the Don Quixote on his horse
Rocinante bas-relief sculpture by his wife, Anna Vaughn Hyatt
Huntington,
in the courtyard of the Hispanic
Society of America’s incredible museum at 613 W. 155th Street, New York
City.
__________________________________________________________________________________
About Gerry Dawes
My good friend Gerry Dawes, the unbridled Spanish food and wine
enthusiast cum expert whose writing, photography, and countless
crisscrossings of the peninsula have done the most to introduce
Americans—and especially American food professionals—to my country's
culinary life." -- Chef-restaurateur-humanitarian José Andrés, Nobel
Peace Prize Nominee and Oscar Presenter 2019
Gerry Dawes is the Producer and Program Host of Gerry Dawes & Friends, a weekly radio progam on Pawling Public Radio in Pawling, New York (streaming live and archived at www.pawlingpublicradio.org and at www.beatofthevalley.com.)
Dawes
was awarded Spain's prestigious Premio Nacional de Gastronomía
(National Gastronomy Award) in 2003. He writes and speaks frequently on
Spanish wine and gastronomy and leads gastronomy, wine and cultural
tours to Spain. He was a finalist for the 2001 James Beard Foundation's
Journalism Award for Best Magazine Writing on Wine, won The Cava
Institute's First Prize for Journalism for his article on cava in 2004,
was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles
& Gourmets) prize in 2009 in Getxo (Vizcaya) and received the
2009 Association of Food Journalists Second Prize for Best Food Feature
in a Magazine for his Food Arts article, a retrospective piece about
Catalan star chef, Ferran Adrià.
In December, 2009, Dawes was awarded the Food Arts Silver Spoon Award in a profile written by José Andrés.
".
. .That we were the first to introduce American readers to Ferran Adrià
in 1997 and have ever since continued to bring you a blow-by-blow
narrative of Spain's riveting ferment is chiefly due to our Spanish
correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food
journalist raised in Southern Illinois and possessor of a
self-accumulated doctorate in the Spanish table. Gerry once again
brings us up to the very minute. . ." - - Michael & Ariane
Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher,
Food Arts, October 2009.
Pilot for a reality television series
on wine, gastronomy, culture and travel in Spain.
Experience
Spain With Gerry Dawes: Customized Culinary, Wine & Cultural
Trips to Spain & Travel Consulting on Spain
Gerry Dawes can be reached at gerrydawes@aol.com; Alternate e-mail (use only if your e-mail to AOL is rejected): gerrydawes@gmail.com
Gerry Dawes can be reached at gerrydawes@aol.com; Alternate e-mail (use only if your e-mail to AOL is rejected): gerrydawes@gmail.com
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