Literary Inspiration for A Traveller in Wines

"Here," cried Don Quixote, "here, brother Sancho Panza, we shall be able to dip our hands up to the elbows, in what is called adventure. . ." – Don Quixote, Miguel de Cervantes


"People talk of the glorious dreams of opium-smokers, the frenzied exhilaration that hashish can give, but I, who have studied both, assure you that neither can for a moment compare with the delirious joy of fifty or sixty Spaniards applauding a dancer in the upper room of a café in Seville!" – From Paris to Cádiz, Alexandre Dumas pere


"Of one thing the reader may be assured, – that dear will be to him, as is now to us, the remembrance of those wild and weary rides through tawny Spain. . ." – Gatherings From Spain, Richard Ford.


"The traveller in wines, finding these topics a little beyond his comprehension, remarked loudly that Sénécal was forgetting a lot of scandals." – Sentimental Education, Gustave Flaubert, whose work was greatly influenced by Cervantes's Don Quixote.


Gerry Dawes at Marisquería Rafa in Madrid.
Photo by John Sconzo, Docsconz: Musings on Food & Life



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Showing posts with label Bierzo. Show all posts
Showing posts with label Bierzo. Show all posts

Sunday, December 30, 2018

"Bierzo and Ribeira Sacra Showing World-class Terroir in Northwestern Spain with the Astonishing Mencía Grape"


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Text & Photographs By Gerry Dawes©2018
The unheralded existence of terroir-driven native varietals flourishing in northwestern Spain is comparable to the iceman encased in the glacier: By shining a critical spotlight on Bierzo, at the gates of Galicia in León province, and Ribeira Sacra, in Galicia's Ourense and Lugo provinces - much like sunlight melting back a the glacier ice - the native mencía grape emerges from obscurity. Grown in precariously steep vineyards and often clinging to treacherous slate-strewn hillsides and Roman-style terraces, the indigenous variety is responsible for some of Spain's most intriguing and delicious terroir-laced reds. 

Mencía vines on a steep slate-strewn vineyard

It has become quite evident to me, after tasting through more than 75 such wines on six return trips to these regions over the past five years, that mencía-based wines grown on these stony, well-drained soils, and enjoying beneficial altitudes (some vineyards are more than 2,500 feet above sea level), sunlight and rainfall, have the potential to rival the best in Europe. This assessment holds up despite a preponderance of popular, New Age, cellar-driven winemaking techniques that threaten to obscure both the glorious freshness of the mencía fruit and the haunting, mineral flavors for which many French vintners would give an arm.

Some bodegas here strive to make copycat, market-styled wines that rely on overripe fruit, high alcohol and aggressive new oak. But with the best vineyards, the marriage of mencía and ideal terroir produce enough personality that sometimes the fruit actually has enough character to stand up to such abuse. Better yet, when makers back off and don't try to produce ersatz Priorat or Ribera del Duero then the charm of sweet red and black raspberry-currant fruit imbued with the masculinity of somewhat rustic, garrigue-like country flavors and a strain of graphite-like minerals (Bierzo and Ribeira Sacra, as well as Priorat, have these traits in common) make for a memorable palate profile that calls the drinker back for sip after sip. Mencía is also grown in the Galician DOs Valdeorras and Monterrei, where predominately white wines, especially those made from the potentially spectacular native godello, rule (see "Galician Gold" article).

"Mencia is being abused. Way too much oak for no discernable reason. This is a wonderful grape which doesn't need that much help to shine. There is nothing wrong with leaving well enough alone," says Roger Kugler, General Manager & Wine Director at Suba and Wine Director at Boqueria, two of New York City top Spanish tapas restaurants. "Its not that all the oak aged Mencias are bad (there are a few that are very good), its just that most of them are inferior to the wines of 10 years or so ago which did not have the aggressive oak aging."

Yet this surprising red variety is having its greatest impact in the aforementioned Bierzo, some 250 miles northwest of Madrid, and emerging Ribeira Sacra, another 70-odd miles to the west. At this juncture, by far the most important of these two regions is Bierzo, which was not even a blip on the Spanish wine radar screen less than a decade ago - even for Spaniards.

Yet in just the past half-dozen years, the region has experienced meteoric growth, vaulting from obscurity to critical acclaim. Among the stalwart wines: the richly flavored Descendientes de J. Palacios wines from the old vines vineyards of Corullón (made by Priorat's Álvaro Palacios and his nephew, Ricardo Pérez); a range of Domino de Tares wines made until recently by former Ribera del Duero enologist Amancio Fernández; and Paixar, crafted by the sons of Mariano García, arguably Spain's top winemaker. These higher-profile Bierzo wines have had increasing success in the United States, which has become Bierzo's most important export market. Many others have come in their wake, including the highly regarded Tilenus, Castro Ventoso, Pittacum, Pucho, Peique, Cuatro Pasos (a wine from Martín Codax of Rías Baixas Albariño fame), Cásar de Burbia and Vega Montán. Both Tilenus and Castro Ventoso, as well as the newly inaugurated Bodega Cabildo de Salas, are made by Raúl Pérez, a young rising star winemaker. 

I became acquainted with many of the aforementioned wines in 2002 when I made a pilgrimage to Bierzo and Ribeira Sacra to taste the bright, fruity, mencía-based reds that were beginning to draw serious attention, especially those of Palacios and Pérez made from ancient vineyards at a place called Corullón. On the way to my appointments, I came across a lively country wine fair in Cacabelos, the key town of the Bierzo DO. Cacabelos is surrounded by vineyards and every May 1st it celebrates its chief industry in the Plaza del Vendimiador, where a statue of a family of grape pickers pays homage to those souls who have brought in the harvest here for centuries.
Vendimiador (Grape Harvester) Monument in Cacabelos (Bierzo) 

I eagerly waded in, tasting a range of mencía-based wines with the producers themselves. Most were works in progress, but others were eye-opening in their potential (two that stood out among the nearly dozen booths were Castro Ventoso and Val de Paixarines) and almost all - even the more rustic or heavily oaked examples - displayed an intriguing red and black raspberry richness laced with distinct terroir. Although the bodegas that produced them were only then beginning to make wines for outside markets (hence a number exhibited the harsh new oak character that comes with a barrel room full of new oak), beneath their oak curtains, the raw material augured well for the production of wines that would make Bierzo the most exciting emerging Spanish region since Priorat.

After tasting at the wine fair, I went to lunch with three of the principals of Dominio de Tares, partner Mario Rico, former winemaker Amancio Fernández and the late general manager Fermín Uria, whose reds - Cepas Viejas (old vines), P.3 (from a 100-year-old vineyard) - showed remarkable richness of wild blackberry fruit and mineral tones. (Since then, their wines have enjoyed much success in the United States and they, along with the wines of Palacios, are a major reason that Bierzo is held in such high esteem here.)


Dominio de Tares, partner Mario Rico

At dusk, in a misting rain, I joined Ricardo Pérez, who drove me a few kilometers beyond the village of Corullón to visit Descendientes de J. Palacios's spectacular, impossibly steep vineyards. Pitched on slate-strewn hillsides, the precipitous sites we toured included the soon-to-be-celebrated Moncerbal vineyard, where old vines mencía thrives on magical slate soil. Later, at the Palacios cellars in Vilafranca del Bierzo, we tasted the sweet, rich, terroir-imbued, still tannic wines of the Moncerbal vineyard. All were lush, rich, minerally reds that seemed to validate the promise of the wines tasted at the fair.

I dined later that evening with the owner of Luna Berberide, Alejandro Luna, and winemaker Gregory Pérez, who introduced me to yet another fine Bierzo Mencía made in consultation with the great Mariano García (former winemaker at Vega Sicilia and owner of Bodegas Mauro in Tudela de Duero, just west of Vega Sicilia). Taken altogether, that memorable May Day yielded one of the most meaningful epiphanies I have experienced in more than three-plus decades of covering Spanish wine: Bierzo's mencía-based reds were capable of standing alongside the best of Burgundy, Bordeaux, Napa Valley or any region on earth. As noted earlier, Mariano García and sons Alberto and Eduardo are also making their own Bierzo, the very highly regarded Paixar from the village of Dragontes, another high-altitude spot near the border of Lugo, one of the four provinces of Galicia.

The senior García is enthusiastic about Bierzo's prospects. "From these high-altitude, hillside, broken-slate vineyards it is possible to make wines with great style and personality," he asserts. "There is an explosion of quality wines from Bierzo and emerging single vineyard pagos [that are] comparable to the great northern Rhône Valley cru vineyards in Hermitage and Côte-Rôtie."

Another name consumers will be hearing quite a lot about is the aforementioned Raúl Pérez, who makes compelling wines in Bierzo and is also the consulting enologist for several Galician wineries, among them Alguiera, which is shipping its top-notch Ribeira Sacra wine to the United States this fall. "Ribeira Sacra, Vinos del Cielo" (wines of heaven) reads a sign overlooking a heavenly view of perhaps the most strikingly dramatic and stunningly beautiful wine region in the world (from a photo-journalist fresh off a visit to Portugal's Douro River Valley, this is not hyperbole).

The sign is also a tie-in to the origin of the region's name, which comes from the profusion of ancient sacred (sacra) monasteries and churches that dot this region. Some are more than 1,000 years old, and several are Romanesque churches founded in the 12th and 13th centuries by Burgundian Cistercian monks, who were the "Johnny Grapevines" of their epoch. They established vineyards all around France, Spain and Germany, many of which are still the basis for some of the world's most famous wines (Clos de Vougeot, Beaumes de Venise and Vega Sicilia to name but a few). While other grapes are grown here, including minority red varieties brancellao and merenzao, and the superb white godello, Ribeira Sacra is the land of mencía par excellence. It's a snake-shaped DO - still practically unknown in this country - with 3,000 acres terraced along the spectacular slate-strewn hillsides of the dammed-up Miño (flowing north-to-south) and Sil (flowing east-to-west) river valleys. It is shared by the Galician provinces of Lugo in the north and Ourense in the south, and is divided into five subzones: northernmost Chantada and Ribeiras do Miño along the Miño, Amandi and Quiroga-Bibei along the Sil (all four in Lugo province) and Ribeiras do Sil (along the Ourense portion of the Sil).

Most notable in Ribeira Sacra are its single-row terraces composed of old vines mencía (with some garnacha tintorera and the white grapes, albariño and godello mixed in) growing on treacherous slate-strewn slopes first planted by the Romans 2,000 years ago. These vineyards are so steep that steel tracks have been placed at strategic points to allow the grapes to be hauled up, and some, like a Cividade, are so sheerly pitched and isolated that they can only be reached by boat, on which the grapes are transported during harvest to the winery.
On that first visit, I was awestruck by the region's magical landscape and remain so today. While the first mencía-based wines I drank here were not as captivating as the terrain, I did find some of the same deliciously fruity black-ruby red raspberry qualities and similar graphite-slate mineral characteristics as those in Bierzo. And while they were fresh and light (some only 12 to 12.5 percent alcohol, a welcome relief in this era of overwrought wines), too many were unsophisticated, not well made and often obviously overproduced. My suspicions were confirmed when I toured a small, minifundia grower vineyard full of heavily laden vines with Fernando González of Adegas Alguiera. The 50-something former banker-turned-bodeguero explained that this overzealous farmer was one of the multitude who sell their grapes to the larger Ribeira Sacra wineries and others outside the region. Over intervening vintages González and his quality-minded peers have tried to persuade the minifundia growers to reduce yields significantly. If they are successful, the difference in quality could occur practically overnight and propel Ribeira Sacra into the front ranks of Spain's premier red wine regions. Together with the winemaking expertise of González's peripatetic, talented Raúl Pérez, who brought out the best in Adegas Alguiera's wines, these small, old vine plots, with careful vineyard practices, are capable of producing world-class wines. The progress being made was underscored during a visit this August.

Pradio, a new, but very isolated hill country winery overlooking the intersection where the Sil River pours out of its "throat" (Gargantuas del Sil) into the Miño River, with José Manuel Rodríguez, president of the Consejo Regulador of Ribeira Sacra. Pradio's youthful and energetic 30-something owner Xavier Seone Novelle has renovated a small hamlet of old houses and built a winery, a rural hotel and facilities for mountain tourists. He welcomed us with glasses of Pradio 2006, a carbonic maceration red wine, along with some of his mother's excellent tapas. It was evident from the first sip, at least at this winery, that things in Ribeira Sacra are moving in the right direction. The wine was deliciously fruity, moderate in alcohol and had seen no wood - except the trees growing on the property.

That night at O Grelo restaurant, just down the road from the hilltop Parador de Turismo where I was staying in the Ribeira Sacra capital of Monforte de Lemos, José Manuel Rodríguez and I tasted through his wines, paired with house tapas. The juicy, complex Décima 2006 and the Décima 2005 (a year he says was "espectacular" for his wine) were both delicious and full flavored, and neither topped 12.2 percent alcohol. He then poured an unusual and unusually good Décima 2006 tinto that was a silky, easy-drinking blend of mencía, garnacha tintoera (30 percent) and the white godello (10 percent). The garnacha tintorera boosted the alcohol level to 13.5, but that is low by today's standards. I now had tasted four superb mencía-based Ribeira Sacra wines from two small producers, and there were more to come.

A day later, after a heart-stopping tour of hillside mencía vineyards with Fernando González (the van was worrisomely wide for navigating the cliff-side access road), we returned to Alguiera and were met by Raúl Pérez, who was fresh off a flying enologist run to and from Bierzo in his Mini-Cooper. He led us through an eye-opening lineup of wines ranging from the Alguiera 2006, which will be superb with bottle age, back to the 2001, one of the best mencía-based wines I had ever tasted - and certainly the best Ribeira Sacra wine ever made. As we were drinking the wines with some tapas from Alguiera's own small restaurant, José Manuel Rodríguez showed up with Dona Das Penas owner Antonio Lombardía, who produced a bottle of juicy, white peach- and honeysuckle-flavored, mineral-laced Alma Larga Godello 2006, which clearly demonstrated that Ribeira Sacra was capable of producing a world-class white as well. The next morning, at the Parador of Monforte de Lemos, Antonio Lombardía poured his Verdes Matas Mencía 2006, which, despite just having been bottled and marked by new oak, showed excellent potential with rich, sweet raspberry and red currant fruit, mineral flavors and only 12.5 percent alcohol.

On earlier trips to Ribeira Sacra, I had seen glimpses of potential greatness in the meager production of José Manuel Rodríguez's Décima and in Alguiera, Viña Cazoga and Abadía da Cova, which had been on the U.S. market for some time, but seemed to have lost focus under the interventionist winemaking market urgings of their former American importer. Others, such as Peza do Rei, Rectoral de Amandi, Cividade, Ponte da Boga, Os Cipreses and Vía Romana, showed promise, and some were delicious with food, but, in general, they lacked finesse and some needed to lower their yields.

Now, however, after the remarkable August tastings at Alguiera and the samplings of Décima, Pradio and Pena Das Donas, I had seen the future of Ribeira Sacra crystallize in just two days. And there are other very promising mencía wines now entering the American market, such as D. Ventura Viña Caniero, in the which the great Gerardo Méndez of Rías Baixas's Do Ferreiro Albariño has a hand; the unusual, but exotic and intriguing (cherry and chestnut wood, for example, instead of oak) Enológica Thémera; and a trio of wines - Lacima, Lapena and Lalama - from Priorat husband-wife team, Sara Pérez (Clos Martinet) and René Barbier, Jr. (Clos Mogador). With Pérez-Barbier, what I fear is not an invasion of alliterative labels, but the Priorat factor, which I hope does not bring in its wake Mediterranean climate-style wines with 14 percent to 15 percent alcohol levels.

Andre Tamers, president of De Maison Selections and the U.S. importer of D. Ventura Viña Caniero, fervently believes in the future of Ribeira Sacra and warns of attempts to "Prioratize" these Atlantic-climate wines. He says those that are being made in this fashion in Bierzo are suffering from the overzealous use of new oak and are "completely over hyped. Bierzo is really more like Beaujolais," he notes. "Ribeira Sacra has the potential to be the new Burgundy." Based on the real promise of the mencía-based wines I tasted in August, within two to three years, I believe Ribeira Sacra will vault onto the world wine stage to join the Spanish red wine chorus line that already includes Bierzo, Jumilla, Priorat and Toro.

But Ribeira Sacra, if it stays true to its regional style, will be the lightest-stepping dancer in the line as the antidote to the big alcohol wines that still dominate today. Therein lies the challenge: to maintain the lovely raspberry, red currant and light black raspberry mencía fruit, minerality and modest alcohol content that makes these wines so engaging. To do so means resisting the temptation to submit to the ubiquitous abuse of new oak, which overwhelms both the fruit and the terroir.

If these first few Ribeira Sacra wines entering the American market are an indicator, they may prove to be Spain's antidote to all the overblown blockbuster wines out there - an antidote that a multitude of protesting wine lovers and importers like André Tamers and Alexandra Elman of New York's Marble Hill Cellars are ready to embrace. Perhaps big brother Bierzo will even follow Ribeira Sacra's lead and mencía will reach the top of the Pop chart by singing its own tune. Might I suggest "I Stop By Heaven" from Jerry Butler's soul album, "The Iceman Cometh?"

Tasting BAR

Many Bierzo wines, including some from the best, most vaunted vineyards, have elevated alcohol levels and are often the victims of over-oaking, a serious problem in this region (as well as in many other parts of Spain). Newcomers to Bierzo should seek the delicious raspberry fruit and mineral flavors of the younger, fresher, unoaked versions, and be leery of labels that connote roble or joven roble, which could indicate a regimen of three to six months in harsh new oak (a practice that breaks in new barrels for aging more important wines).

The majority of the wines that follow were tasted in Spain with the producers; they were not tasted blind.

Albares Mencía, 2006 Dominio de Tares (no oak; 13.5%) - $11: Ripe black raspberry and mineral nose. Rich, delicious mélange of black raspberry, currant and dark baker's chocolate with a long, lingering, graphite-mineral finish. I have to admit that this wine has been my house red for years and I love it. At this price, Albares is a steal! (Importer: Classical Wines) Score: 91

Pétalos Mencía, 2006 Descendientes de J. Palacios (5 months in oak; 14%) - $20: Ripe black raspberry nose. Round, smooth entry with delicious, deep black raspberry and currant fruit laced with graphite-like mineral flavors in a finish that still shows some wood and fruit tannins. Reasonable value. (Importer: Rare Wine Company) Score: 90

Peique Mencía, 2006 Bodegas Peique (13.5%) - $12: Rich fruit, clove, licorice and mineral nose. Delicious, rich, luscious red and black wild berries with clove, licorice and bitter dark chocolate notes. Reminiscent of a Graves or a good Chinon. Unbelievable bargain. (Importer: José Pastor Selections, Vinos & Gourmet, Inc.) Score: 91

Paixar Mencía, 2004 Paixar (14%) - $70: More new French oak than fruit in the nose. Excellent black raspberry and mineral flavors. In spite of the 14% alcohol and liberal lashing of new oak, experience with this wine shows that time and food will tone down these normally egregious flaws in the wines of this particular producer, who, seemingly, is enamored of new French oak. If you are, too, and you find this rather stiff tab in your range, this wine will really deliver. (Importer: Aurelio Cabestrero) Score: 92

Vega Montán Mencía Roble, 2005 Bodegas Adrià (14%) - $16: Spicy, sweet fruit, slate-like minerals and new oak in the nose. Nice entry with sweet ripe fruit and haunting soil flavors. Well balanced, so it tastes lighter than its 14%, but it is a bit over-oaked. Air, food and decanting improve the mix considerably. Good value. (Importer: Marble Hill Cellars) Score: 88

Cásar de Burbía, 2004 Cásar de Burbía (13.5%) - $20: Nice nose of red currant, cherry and minerals. Despite five months in new French and Hungarian oak, two-plus years in bottle have left it with none of the new oak nasties. Delicious balance of ripe berry fruit, dark chocolate, terroir and restrained oak. A real sleeper. (Importer: Nick Radisic, Rad Grapes) Score: 89

Tilenus (Envejecido en Roble), 2004 Bodegas Estefanía (14%) - $20: Earthy slate, ripe red fruit and some oak in the nose. Great balance of rich wild berries, minerals and well-integrated oak which may contribute to the pleasantly bitter finish. This elegant wine will surpass many Burgundy clos on the market. Why the maker felt compelled to inscribe "aged in oak" on the label, except perhaps for the purpose of appealing to those who favor oak over fruit, is baffling. Nevertheless, the wine is a fine value. (Importer: Eric Solomon Selections) Score: 91

Ribeira Sacra Décima, 2006 José Manuel Rodríguez (unoaked; 12%) - $27: Excellently balanced nose of red fruit and minerals. Delicious, with juicy acids balancing sweet raspberry fruit flavors and an enticing, complex mineral finish all in harmony because of the restrained alcohol and no oak. (Importer: Marble Hill Cellars) Score: 91

Prádio Mencía, 2006 Xavier Seoane Novelle (unoaked; 12.5% alcohol) - $20: Pleasant candied red fruit carbonic maceration nose. Delicious, bright, fruity, balanced, quaffable wine with lots of raspberry and currant fruit with a lasting, mineral-laced finish. Good value. (Importer: Marble Hill Cellars) Score: 89

D. Ventura Viña Caneiro, 2006 Losada Fernández (unoaked, unfiltered; 14%) - $26: Pure, rustic, ripe fruit and minerals in the nose. Big, rich, loaded with fruit, but very juicy and delicious with a long, intriguing earthy minerality in the finish. Superb. (Importer: De Maison Selections) Score: 92

Thémera, 2004 Enológica Témera (aged in cherry and chestnut wood; 12.5% - $23: Nice nose with subdued red fruit and scents of cherry and chestnut wood. Rich, but not overblown, juicy fruit with those odd, but not off-putting oak flavors that compete with minerals. Interesting, and good with food. (Importer: José Pastor Selections, Vinos & Gourmet, Inc.) Score: 88
Algueira Mencía Barrica 2005 Algueira, S.L. (aged 13 to 14 months in oak; 13%) - $40: Bright red fruit, graphite and non-obtrusive oak nose. Nice red fruit, good balance of fruit, tannin and oak, but needs more time. Quite good. (Importer: Antonio Antalvo) Score: 93

Alma Larga Godello Blanco 2006 Pena das Donas (no oak; 13.6%) - $25: Lovely white peach and lees nose. Of white Burgundy quality with delicious white peach and honeysuckle flavors, laced with a long, mineral-like finish. (Importer: Marble Hill Cellars) Score: 92 - GD

Wednesday, September 13, 2017

The Late Great Donn Pohren and His Significance: "Embedded in me like a memory chip is the spirit of Donn Pohren and his book."




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Madrid, Spain - American writer and well-known Flamencologist Donn Pohren died in Las Rozas [a Madrid suburb] on November 5, 2007. His wife, Luisa Maravillas provided a brief statement: "I regret to inform you all that Donn passed away the 5th of November, during the night. Sometime in the near future I intend to organize a gathering of friends and aficionados in Las Rozas."  - - Contributed by: WMC_News_Dept.  11/07/2007 08:35AM

Donn Pohren was regarded as one of the leading experts in Flamenco in the English language and wrote several influential books about the subject. 

"Donn Pohren's book was the first thing I bought when arriving in Andalucía, before I even knew how much my life would be involved with and changed by flamenco. It helped me understand a lot that was to come," says British expatriate Kate Edbrooke, who runs a recording studio in Granada and has produced several Flamenco recordings by local artists.


The Significance of Flamencologist Donn Pohren
and His Impact on Spanish Wine & Food
Que descansa en una juerga de “pura ma're” with a copita in front of him
and Diego del Gastor playing alongside him.

Copyright by Gerry Dawes 2017. 

In 1972, Donn Pohren, a Minneapolis-born American who lived in Spain for decades and was the world's greatest foreign expert on flamenco, published his idiosyncratic underground classic, Adventures in Taste: The Wines and Folk Food of Spain

I was living in southern Spain when I first encountered Pohrens's book (privately printed in Spain) soon after it was published and it had a profound effect on me. In the early years, I never traveled without it. At first, I merely wanted to have some of the wine and food experiences that he had described. Soon, I was having new experiences of my own, experiences that would eventually lead to my becoming a widely published writer on Spanish wine and food and a recognized authority in the field.
  
My copy of Donn Pohren's Adventures in Taste: The Wines and Folk Food of Spain


Adventures in Taste, self-published by Pohren in 1972.


Pohren wandered around the Iberian Peninsula in the 1960s exploring the nooks and crannies of Spain's 4,000,000 acres of vineyard lands, the largest acreage of any country in the world. He would pop into a village bar, ask for a glass of the local vino, then casually ask who made the best wine in town. On many occasions, Pohren would soon find himself being offered several samples as one vintner after another vied to show this foreigner that his wine was the best in the village. 

In his book, Pohren described encounter after encounter with artisan winemakers who were making excellent wines, many of which were unknown to the outside world in those days.


Pohren's Map of the Wine Regions of North Central
 (He did not cover Galicia!)


However, many of the wines Pohren described were wines whose charm in those days soon faded if anyone tried to transport them beyond the boundaries of their home region. 

The winemaking techniques were often primitive. In many places the grapes were still crushed by treading, then fermented in open stone or cement vats, and aged in less than meticulously cared for barrels. The result was a flawed wine, which often tasted good with the local food, but was simply not stable enough to "travel" and was not the stuff to thrill sophisticated wine connoisseurs. Still, Don Pohren swore by the inherent quality of many of these Spanish wines and he was right.

His experiences have always been in the back of my mind and have served me well on numerous occasions, such as an encounter on my first trip to then unknown Priorat in 1988. Firmly in Pohren's shoes, I entered an old-fashioned, untidy cellar, where I was given a flawed wine to taste, but the underlying base wine was clearly very good. I judged the prospects for this region to be so promising that I came back wrote the first major article about the potential of Priorat. 


Alvaro Palacios and crew arrived in Priorat the next year and began to make history.  In Ribeira Sacra, 15 years ago I encountered some flawed wines (less with every pasing year), just as a did in Priorat nearly 15 years earlier.  Tasting "underneath" the sometimes inexperienced wine making techniques, I found enormous potential.  I know Donn would have as well.

What Pohren tasted in those wines while researching his book forty years ago was the materia prima (raw material; grapes, soil and climate), the exceptional juice from grapes which often came from old vines, whose average yield of wine per acre of vines was less than half that allowed by the best appellations of Burgundy and Bordeaux.  


Even backward winemaking techniques couldn't keep the underlying quality from showing through; Pohren's Spanish wines were diamonds in the rough.

In the years since Donn Pohren wrote his book, exciting things have happened which promise an incredible future for both Spain's traditional wines and those of emerging wine regions.  


Spain's four decade-old democracy has been the catalyst for a modern renaissance in fashion, art, literature, cinema, and gastronomy and it has ushered in a technological revolution in wine making as well. A key element in this was Spain's acceptance in 1992 as a member of the European Economic Community, the Common Market (now the European Union), which posed a special challenge to Spanish wine producers: compete on a quality level with the other wines of Europe or enter the over-saturated European wine "lake," and be lost in the crowd.

Fortunately, Spain opted for quality. Many forward looking people in the Spanish wine trade began to see Spain's entry into the European Union as both a new challenge and a new opportunity for their wines. These challenges and opportunities would require a reassessment of their positions in both the domestic and export markets, an upgrading of their winemaking technology, and consistent quality in their wines. Emile Peynaud, Alexis Lichine, and other consultants were brought in from France to advise winemakers in the Rioja, Ribera del Duero, and Rueda. 


The best eonologists from Rioja, Penedes, and Navarra traveled to other regions share their expertise. Young Spanish winemakers trained in Bordeaux, Burgundy, and at the University of California - Davis. Miguel Torres Riera, the maestro of Catalan winemaking, and Jose Peñin, Spain's foremost wine authority, wrote important books about Spain's future in the wine world. New wine books, periodicals, and gourmet journals proliferated. Seminars, international wine symposiums, and wine competitions began to be conducted on a regular basis. And, importantly, wine clubs and societies were formed as an increasingly affluent and growing middle class in Spain began to appreciate the wines of its own country.

During the past three decades, investments in new wine making technology (especially in the area of fermentation control), better barrels (although accompanied by a lot of oak abuse!), experiments with new grape varietals, and the replanting of vineyards in some areas have begun to have a geometric effect on the overall quality level of Spanish wines. This progress in winemaking technique in Spain would not in itself account for such a dramatic effect–in fact, it is now often a detriment to authenticity--if it were not for the fact that Spain is a splendid natural vineyard endowed with many areas whose grape varietals have become perfectly acclimated over centuries to the micro-climate and soil in which they grow. 

All that was needed in many cases were winemakers dedicated to quality and the technology to achieve it. The grapes produced in the best wine areas of Spain–Rioja, Jerez, Cataluña, Ribera del Duero, Navarra, Rueda, Ribera Sacra, Valdeorras and in many up and coming regions–have shown they are capable of producing wines which can stand alongside the best of France, Italy, and California. The Tempranillo of the Rioja and Ribera del Duero, for example, is coming to be recognized as a grape which can produce wines to rival those made from Cabernet Sauvignon, Merlot, or Pinot Noir.  And the Galician white wine variety Godello in Valdeorras and red wine grape Mencía in Ribeira Sacra, especially, make astoundingly good, world-class wines.

The established, classic wine regions of Spain like Rioja and Jerez, while refining the techniques and polishing the skills which made them famous, also created exciting new areas of interest with small estates like Remelluri and Contino in Rioja and the emergence of such high-quality wines as the almacenista sherries of Emilio Lustau and the late harvest Navarra moscatels from Julián Chivite, Ochoa and Viña Aliaga. Other areas whose wines were once underground legends in Spain, like those described by Donn Pohren, but whose viticulture was based on tiny artisan producers and ill-equipped cooperatives, began to realize their potential for making great wines.

Ribera del Duero, home of Vega Sicilia, Pesquera, Mauro, and Viña Pedrosa; Navarra, the producer of perhaps the world's finest rosés (from the Spanish native grape Garnacha); Priorato (Cataluña) and Toro (Castilla-León), whose rich, concentrated, blockbuster red wines have drawn international attention (but are too alcoholic for my tastes); Rueda, a surprising white wine region producing the native Verdejo and foreign Sauvignon Blanc; and Rías Baixas, whose Albariños now count the U.S. as its most important export market, are just the most visible of the emerging wine regions capable of making first rate wine from native grapes. There are many more to come. 

Previously unknown regions–some of which unknown to Donn Pohren–such as Bierzo, Ribeiro, Ribeira Sacra, Valdeorras and Monterrei, along with Jumilla and many others–have either jumped onto the world wine stage or are just in the wings awaiting their call to stardom. P roducers like Miguel Torres in Penedes, Julián Chivite in Navarra, Carlos Falcó at Dominio de Valdepusa and Codorniu's Raimat estate, just to name a few examples, have achieved new heights with foreign varietals, though even the best examples often fall short of the intriguing, delicious, uniquely Spanish wines made from indigenous varieties–the kinds of wines that Donn Pohren loved.

Embedded in me like a memory chip is the spirit of Donn Pohren and his book. Following his example, I still ferret out little known producers and drive many kilometers out-of-the-way just to eat a dish in a little-known regional restaurant and, like Don, look beyond rusticity (or fancy trappings in some places) to find the core of something that is undeniably wonderful and unique to Spain. Only adventurers and indefatigable travelers can do what Donn Pohren did.  I can attest to how indefatigable and adventurous he was from averaging six trips a year to Spain for a six year period (and eight per year for five years).

Without Don Pohren’s book (and to a great degree, James A. Michener’s Iberia) I may have never caught the spirit of the Spanish road that has sustained me now for more than 40 years.  


For that I owe Donn a now un-redeemable debt of gratitude and so do people such as Steve Metzler, who built a great and exemplary Spanish wine importing company, Classical Wines, based on his Pohren-inspired wine travels. Because of Donn, Metzler was inspired to find not only Pesquera and make Alejandro Fernandez's wine world famous, he even met his wife, Almudena. 

Neither of us saw Don Pohren as much as we would have liked to over the years, but fortunately several years ago in Madrid, I had an opportunity to let Donn know just how much his work meant to me and to the many who carry Spain in their hearts.


Pohren visited my late former wife Diana and I for lunch at our house in Mijas (Málaga) in 1974.  
Donn autographed Adventures in Taste to us.


I will miss the fact that Donn is no longer with us in body, but he will never die in the spirits and hearts of those who followed his incredible Quixotesque passion for Spain, flamenco, Spanish wine and traditional food and all things Spanish. (Quixote may have been a dreamer, but not a madman; those windmills he was tilting at were brought from the low countries and represented the domination of the foreign House of Austria, a powerful, inquisition wielding force that crushed those who dissented like Don Quixote after his encounter with the windmill sails.)

Donn Pohren was a dreamer and he may have seemed like a madman when he lived his life like a candle in the wind during his awesome flamenco juerga years, but to me Donn Pohren was a profound inspiration and he always will be. 

Vaya con Dios, Don Donn. I will raise a copita to you often in my journeys. I can see the angels lining up now for a juerga--a Spanish wine, food and flamenco party--the likes of which even heaven hasn’t seen.

The End

Gerry Dawes©2017
gerrydawes@aol.com
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