Literary Inspiration for A Traveller in Wines

"Here," cried Don Quixote, "here, brother Sancho Panza, we shall be able to dip our hands up to the elbows, in what is called adventure. . ." – Don Quixote, Miguel de Cervantes


"People talk of the glorious dreams of opium-smokers, the frenzied exhilaration that hashish can give, but I, who have studied both, assure you that neither can for a moment compare with the delirious joy of fifty or sixty Spaniards applauding a dancer in the upper room of a café in Seville!" – From Paris to Cádiz, Alexandre Dumas pere


"Of one thing the reader may be assured, – that dear will be to him, as is now to us, the remembrance of those wild and weary rides through tawny Spain. . ." – Gatherings From Spain, Richard Ford.


"The traveller in wines, finding these topics a little beyond his comprehension, remarked loudly that Sénécal was forgetting a lot of scandals." – Sentimental Education, Gustave Flaubert, whose work was greatly influenced by Cervantes's Don Quixote.


Gerry Dawes at Marisquería Rafa in Madrid.
Photo by John Sconzo, Docsconz: Musings on Food & Life



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Showing posts with label James A. Michener. Show all posts
Showing posts with label James A. Michener. Show all posts

Friday, December 31, 2021

Introduction to A Traveller in Wines

 * * * * *

From Cervantes's Don Quixote and Sancho Panza; the writings on Spain of Alexandre Dumas père; the marvelous English Murray Guides writer, Richard Ford; and the late Americans, James A. Michener, and Donn Pohren, a little-known, but important, American expert on things Spanish, I learned to approach Spain and its wines, food, history, and culture with an adventurous and inquisitive spirit.

 The late Donn Pohren.


In 1972, Pohren, who lived in Spain for decades and is one of the world’s greatest flamenco experts, published his idiosyncratic underground classic, Adventures in Taste: The Wines and Folk Food of Spain. Pohren wandered around the Iberian Peninsula exploring some of Spain's 4,000,000 acres of vineyard lands, the largest wine acreage of any country in the world, and tasting wines. He would pop into a village bar, ask for a glass of the local vino, then casually ask who made the best wine in town. On several occasions, Pohren would find himself being offered several samples as one vintner after another showed up at the bar with his wines to prove to this foreigner that his vino was the best in the village.

In Adventures in Taste, Pohren described encounter after encounter with artisan winemakers who were making good country wines, many of which were unknown to the outside world in those days. Although Pohren was relatively unsophisticated as a gourmet, he chronicled his food adventures as well, ferreting out great regional restaurants, back-country inns and taverns, and tapas bars all over the country. He wrote about the best places for great roast lamb in Castile; the superb mountain hams from acorn-fed, free-range Iberian pata negra pigs of southern and western Spain; great fish and shellfish along both the Atlantic and Mediterranean coasts; garlic chicken in Madrid; and such esoteric specialties as baby goat livers in lemon sauce in the mountains of Malaga, and. Pohren not only wrote about the food, wine, customs, and fiestas, each year he ran several specialized tours, in which he introduced a handful of privileged travellers to his secret places in back country Spain.

During the eight years I lived in Spain, I traveled with Pohren’s book and with James A. Michener’s Iberia (my copy of Iberia is signed by more than 20 of the characters about which Michener wrote). I often drove many kilometers out of my way to find Pohren’s culinary and wine treasures and to search out the people and places about which Michener had so persuasively written. While following in the footsteps of these predecessors, I naturally had my own adventures. I began to uncover exceptional wines, experience my own unique gastronomic epiphanies, meet unforgettable people, and discover places about which neither Michener nor Pohren had written.

The writings of Richard Ford, an Englishman, who covered much of Spain on horseback during the 1840s also inspired me. Ford wrote one of the most well-written and witty travel guides I have ever read, A Handbook for Travellers in Spain and Readers at Home (ironically republished by my home university’s Southern Illinois University Press, Carbondale, Illinois; ©Centaur Press, Ltd. 1966). Ford’s frontispiece further billed the book as “Describing the Country and Cities, the Natives and Their Manners; The Antiquities, Religion, Legends, Fine Arts, Literature, Sports, and Gastronomy with notices On Spanish History.”

Ford described his travels in Spain pithily, provided his readers with often humorous insights about Spaniards, many of which still hold true, and imbued his writing with a sense of adventure that has long inspired me to continue embarking on what he called, “those wild and weary rides through tawny Spain.”

Wine and food are the threads that will bind the tapestry of A Traveller in Wines: Fifty Years of Adventures on the Food & Wine Roads of Spain, but I intend for the book to have a much broader appeal. Although I plan to concentrate on wine and gastronomy adventures, like Ford, Michener, and Pohren, I will draw from the broader spectrum of Spain’s rich heritage, history, and culture to make A Traveller in Wines a great read about the country, its people (and, like Michener, sometimes the foreigners who love it), its vineyards and wineries, its tapas bars and restaurants, and its winemakers and chefs.

I am fond of quoting two passages about Spain—one from Richard Ford and the other from Alexandre Dumas père—which are in the spirit of the approach I want to bring to my book. Ford’s passage is about the philosophy of travel and life; Dumas’s is evocative description.

In A Handbook for Travellers in Spain, Ford wrote his philosophy on traveling in Spain: “The search for the excellent is the high road to excellence . . . The refining effort and habit teaches the mind to think; from long pondering the beautiful world without, snatches are caught of the beautiful world within, and a glimpse is granted to the chosen few, of glories hidden from the vulgar many. They indeed have eyes, but see not . . .”


It will be my task in A Traveller in Wines to share those glimpses with those who may not have been able to see Spain for themselves and provide deeper insights for those who have been to Spain.

Alexandre Dumas wrote some fine descriptive passages about his travels in Spain in From Paris to Cadiz, including this quote, which is one of my favorites, “People talk of the glorious dreams of opium-smokers, the frenzied exhilaration that hashish can give, but I, who have studied both, assure you that neither can for a moment compare with the delirious joy of fifty or sixty Spaniards applauding a dancer in the upper room of a café in Seville!” 


 Manolo Esquivias and his wife Mari Carmen Onrubia dancing at la Feria de Sevilla.

Dumas’s quote alludes to the duende that Lorca wrote about, a magical quality in the Spanish spirit that I have been lucky enough to encounter on numerous occasions in my travels.

 Gerry Dawes©2020 gerrydawes@aol.com


* * * * *
  Shall deeds of Caesar or Napoleon ring
More true than Don Quixote's vapouring?
Hath winged Pegasus more nobly trod
Than Rocinante stumbling up to God?



Poem by Archer M. Huntington inscribed under the Don Quixote on his horse Rocinante bas-relief sculpture by his wife, Anna Vaughn Hyatt Huntington, in the courtyard of the Hispanic Society of America’s incredible museum at 613 W. 155th Street, New York City.

 _____________________________________________________________________________________________________________________________________

 Gastronomy Blogs


In 2019, again ranked in the Top 50 Gastronomy Blogs and Websites for Gastronomists & Gastronomes in 2019 by Feedspot. (Last Updated Oct 23, 2019) 

"The Best Gastronomy blogs selected from thousands of Food blogs, Culture blogs and Food Science blogs in our index using search and social metrics. We’ve carefully selected these websites because they are actively working to educate, inspire, and empower their readers with frequent updates and high-quality information."  

36. Gerry Dawes's Spain: An Insider's Guide to Spanish Food, Wine, Culture and Travel


 
About Gerry Dawes


My good friend Gerry Dawes, the unbridled Spanish food and wine enthusiast cum expert whose writing, photography, and countless crisscrossings of the peninsula have done the most to introduce Americans—and especially American food professionals—to my country's culinary life." -- Chef-restaurateur-humanitarian José Andrés, Nobel Peace Prize Nominee and Oscar Presenter 2019


Gerry Dawes, last year, was the Producer and Program Host of Gerry Dawes & Friends, a weekly radio progam on Pawling Public Radio in Pawling, New York (streaming live and archived at www.pawlingpublicradio.org and at www.beatofthevalley.com.)

Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. He was a finalist for the 2001 James Beard Foundation's Journalism Award for Best Magazine Writing on Wine, won The Cava Institute's First Prize for Journalism for his article on cava in 2004, was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles & Gourmets) prize in 2009 in Getxo (Vizcaya) and received the 2009 Association of Food Journalists Second Prize for Best Food Feature in a Magazine for his Food Arts article, a retrospective piece about Catalan star chef, Ferran Adrià. 



". . .That we were the first to introduce American readers to Ferran Adrià in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish table. Gerry once again brings us up to the very minute. . ." - - Michael & Ariane Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher, Food Arts, October 2009. 

Pilot for a reality television series on wine, gastronomy, culture and travel in Spain.

Experience Spain With Gerry Dawes: Customized Culinary, Wine & Cultural Trips to Spain & Travel Consulting on Spain  

Gerry Dawes can be reached at gerrydawes@aol.com; Alternate e-mail (use only if your e-mail to AOL is rejected): gerrydawes@gmail.com
 
 * * * * *
If you enjoy these blog posts, please consider a contribution to help me continue the work of gathering all this information and photographs for Gerry Dawes's Insider's Guide to Spanish Food, Wine, Culture and Travel. Contributions of $5 and up will be greatly appreciated. Contributions of $100 or more will be acknowledged on the blog.

* * * * To make your contribution, please click on this secure link to Paypal.* * * *


Thursday, February 27, 2020

Mythical Feasts in the Historical Mists of the Pass of Roncesvalles in Navarra: Scenes from Homage to Iberia by Gerry Dawes


* * * * *
   Text & Photographs by by Gerry Dawes©2020

 Hostal Burguete, Burguete-Auritz (Navarra).

  
Roncesvalles.

My late former wife Diana Valenti Dawes and I spent many wonderful sanfermines, the annual fiestas at Pamplona with Alicia Hall, a spinster school teacher from Milledgeville, Georgia, who was a woman of great charm and character.  Some years we started before the Fiestas de San Fermín by driving up to Burguete in the Pyrenees mountains northeast of Pamplona for a few days. 


Alice "Alicia" Hall.

We stayed at the rustic Hostal Burguete, where Hemingway got the inspiration for the hotel  in The Sun Also Rises, where Jake Barnes and Bill Gorton stayed during their trout fishing expedition on the Irati River, which rushes down these green Navarrese-Basque mountains and offered great trout fishing. 


 Trout fishing in the Pyrenees of Navarra.

The hotel, with its heavy, dark wooden beams, big beds with warm covers, and plumbing from a by-gone era had changed little since Hemingway stayed there.  Diana, Alicia, and I loved to spend a couple of quiet relaxing days there - - reading, walking out on the road to Roncesvalles to pick wild strawberries to put on our ice cream, and having long discussions about Spain over dinner and plenty of Navarra’s country vino tinto.  

Florián, the prematurely middle-aged, but handsome daughter of the innkeeper, her mother, who often sat in the kitchen while Florián, on a big wood-fired, cast-iron cook stove prepared reasonably good Navarrese food (at these prices, a bargain): Stews of alubias (white beans) with chorizo, magras con tomate (pork slices in tomato sauce), pollo asado con patatas fritas (chicken with fried potatoes), trucha a la navarra (fried trout with a slice of ham tucked in its belly), and vainas (fresh green beans with boiled potatoes).   


 Pochas-alubias and Las Campanas Navarra Rosado.

After finishing a bottle or two of Navarra clarete (light young red wine) or rosado and, perhaps, a coffee, a Spanish brandy or Patxarán (sloe berry-infused anís) as we talked, we turned in early.  Diana and I would snuggle into the big wooden poster bed in a room that overlooked a green meadow behind the house, read a bit from The Sun Also Rises and other books on Spain and sleep next to one another soundly until morning.  Sometimes a rainstorm would come through at night, freshening the air and making it far cooler than the July calendar seemed to call for. 


 Hostal Burguete piano (photos from the internet).

In a side room, Florián showed us the upright piano that was supposedly the one that the Bill Gorton character played in The Sun Also Rises.  The piano was believable, but "E. Hemingway 25-7-1923" crudely scratched on the underside of the top of the piano was not so believable.  

 In the early 1970s, Diana Valenti Dawes during San Fermín dancing the riau-riau on the shoulders of Big Steve Lee, the "Gentle Giant," a very large friend of ours, in front of the Ayuntamiento, Pamplona.

On the morning of July 6, Alicia, Diana and I would pack up and head down the mountain roads to Pamplona, where, as Ernest Hemingway wrote about the beginning of the fiesta:  At noon of Sunday, the 6 of July, the fiesta exploded. There is no other way to describe it.”  Our tranquil days and nights in Burguete led to our surrendering to the wild, raucous days and nights of the nine-day, non-stop Fiestas de San Fermín that were to come. 

Always, during those years, about halfway through the fiesta, about the time everyone needed a break from the noise and jaleo of San Fermín, we formed a caravan of cars and headed back up into these same hills to the pass of Roncesvalles, just north of Burguete, where we had picnics that became legendary.  A couple of kilometers above the monastery of Ronscesvalles, along the road to France, I knew a splendid Brigadoon-like glade with an icy little stream that only the initiated can find. My friend John Fulton, the American Matador-and-artist, who had gone there with James Michener, who described it his Iberia:  Spanish Travels and Reflections,  and had introduced me to it during my first time at the Fiestas de San Fermín in 1970.  

 Matador John Fulton and Gerry Dawes in the plaza de toros de Pamplona 1970s.
Photo by the great Jim Hollander. 

   James Michener, Gerry Dawes and Diana Valenti Dawes at Michener's home in Austin, Texas.

In Iberia, Michener wrote about this very glade:  "I had spotted it on my pilgrimage to Santiago.  We were eight as we left Pamplona after the morning running of the bulls:  Patter (Ashcraft) and her husband; Bob Daley, long-time European sportswriter for The New York Times and his French wife, both with a sense of what makes a good picnic; Vavra ((Robert Vavra, photographer of Iberia) and Fulton; the Hemingway double (Kenneth Vanderford) and I.   We were headed north, toward the pass of Roncesvalles, that historic and mystery-laden route through the Pyrenees which Charlemagne had used in 778 for his retreat throught the mists and where he had failed to hear the battle horn of his dying Roland. . .and there in a glade so quiet, so softly green that it seemed as if defeated knights might have slept in it the evening before, we spread our blankets and prepared the meal."
    
With an odd collection of companions, each year we made the pilgrimage to this historic little valley in the pass that is haunted by the ghost of brave Roland and by the spirits of generations of pilgrims who passed this way over the centuries walking the Chemin de Saint Jacques, the great Camino de Santiago, a trek across northern Spain that from this point at Roncesvalles to the cathedral in Santiago de Compostela, where Saint James’s bones are said to reside, is over 600 miles. 


Gerry Dawes at San Fermín 1971.


Sometime around July 10, Diana and I would round up a crazy band of picnickers that included the thin, but sassy, seventy-something Alicia Hall, the doyenne of foreign bullfight aficionados; Kenneth Vanderford, Ernest Hemingway's "double," a curmudgeonly university professor with long-billed ball cap, a white beard, and portly girth; and Lindsay Daen, an internationally known New Zealand sculptor.  The goateed Daen lived in Puerto Rico and Madrid, wore bush jackets and a strange looking glass device around his neck, drove a red Kharmann Ghia and showed up each year at the Bar Txoko in Pamplona with a new lady (or ladies), usually a young, impressionable art student.  

Invariably Lindsay met these young women on his scouting forays into the Prado Museum in Madrid and just as invariably, when he showed up with one of them, we would slyly ask him, "Where did you meet Sally or Bev or Ronnie?"  I referred to these women as Lindsay's "recent acquisitions from the Prado."  One year, he arrived with a pretty young lady and claimed that he had met her when he saved her from a piece of cornice stone falling from a building in Madrid.
    
“Shocking that they have allowed the Prado to fall in such dis-repair!” was my comeback. 

In supsequent years, word of our band of Roncesvalles merry merienda makers got around and we were joined by an eclectic crew of adventurers and of the women of several nationalities who came to San Fermín with them each year.  Some of these regulars had been coming without fail for decades to the fiestas.  Many of them could best be described as the spiritual descendants of Ernest Hemingway’s Jake Barnes and other members of the Lost Generation.
    
Arriving at the hard to find spot on the eastern side of the steep road that climbed up to a pilgrim's sanctuary at the top of the pass, we unloaded the luncheon bounty from our cars.  The men helped Alicia down the steep, grassy slope to the green, mossy banks of the stream, where Diana, who had recruited some of the women to collect the food at the Pamplona mercado municipal that morning, laid out our splendid repast: Anchoas, salty anchovies cured in oil; roasted red pimientos; streaky pink slices of jamón;  garlicky red-orange chorizo; white Parmesan-like Roncal from the Pyrenees east of Roncesvalles and smoky Idiazábal ewes’ milk cheeses from a town south of San Sebastián; aceitunas, olives cured with rosemary, thyme and garlic; crusty, country bread; and fruits—blushing ripe peaches, big black picota cherries, and honeydew melons.  I put a dozen bottles of Las Campanas Navarra rosados (the same wines Hemingway carried in his car around Spain with him) and claretes (rosés and lighter red wines) and melons in the cold rushing little rivulet to cool, then dispatched a detail of volunteers for dry firewood to build a little fire.
    
The country food of Navarra is delicious, even more so in the mountain air, the wine flowed freelyand laughter came easily. Every now and then someone would step away from the group and stare out across the splendid green woods and watch the rivulet run down the valley.  They knew that back in the  frantic hustle of modern city life, these hours spent in the Garden  of Eden would ripen with age and retelling.
    
Until some newcomers not present during the early years of these outings, decided one year by popular decree that the should move the show down out of the historical mists to an easier-to-get-to spot, thus destroying the magic, our picnic had a formula that didn't vary from the first year until the year we stopped having our picnics,   : Drink some wine, eat wonderful Navarrese food, drink some more wine, get mellow, lay down on the mossy slopes and tell jokes to a well-primed audience until the mystical fog drifts in, as it often does by mid-afternoon. The joke session began that first year, when Hemingway’s double Kenneth Vanderford, a man then in his sixties, who was sitting in a folding chair he carried in his car, began to hold court with the group sitting on the ground around him.  While stroking the arm of a attractive, flaxen-haired young model, who had worked for a Senator from California (and, with whom, I had had a mercifully short liason), Vanderford had drifted quite naturally onto the subject of sex and how, in our society, it was not easily accessible to men of his age.
    
“The only thing available to men like me,” he said, “is loneliness and masturbation.  In this society, sex seems to be forbidden to the very old and very young. ”
    
“That's not the case in all societies” the sculptor Lindsay Daen, himself obviously no stranger to the randy arts, said.  Then he told a tale of how he had once watched a five-year old girl openly masturbate on the veranda of a house in Polynesia, while he and her parents were carrying on a conversation.
    
“Her parents didn’t seem to find anything wrong with what she was doing,” Lindsay said, “and when I thought about it, I didn’t either.”
    
“Well,” I chimed in, “there’s plenty I find wrong with it.”
    
“Like what?” Daen asked.
    
“The kid could go blind, get pimples, and, if she continues masturbating, she will undoubtedly go crazy.  Look what it’s done to you and Vanderford.”
    
Any serious drift the conversation may have had disintegrated with the peals of laughter, then the jokes started.  After a few risque jokes in English got the group warmed up, a Swede had us rolling on the ground in fits by telling a particularly dirty joke in Swedish, which only the three other Swedes at the picnic, including my friend Birney Adam's wife Lotta understood.  No interpretation was necessary.  It didn’t matter, the food, the wine, the camaraderie, and the reverie of the country afternoon made these picnics the stuff of vintage nostalgia. 
The most incredible thing that ever happened during the five years we gathered for these picnics, was the near conversion of the Hemingway look-a-like, Kenneth Vanderford, a died-in-the-wool atheist and a friend of Madeleine Murray O’Hair, America’s most vociferous non-believer.


Kenneth Vanderford, "Hemingway's Double," at a picnic in Roncesvalles.
    
One year, early in the proceedings, a mist of metaphysical caliber had drifted into the upper tier of our little valley.  Things were getting spooky and we were worried about Lindsay Daen, who had still not arrived.  We had already had some food and wine, when I coaxed Vanderford, a history professor, into telling us about the legend of Roland blowing his horn to summon his uncle Charlemagne's army as he fought for his life in this pass.  Vanderford ended his tale of the famous Chanson de Roland and remarked that, like lots of other religion-based legends, the popular accounts of the retreat of Roland and his death were mostly nonsense.  At that precise moment, several notes that sounded like a bugle call from Roland himself came from high in the woods.  Vanderford looked heavenward and seemed momentarily shaken by what he must have thought was a call to reckoning.  It was Lindsay blowing his bugle as he tried to locate us.  We never let Kenneth Vanderford live that day down. 

 Lindsay Daen blowing his bugle in Roncesvalles.
    
If it were not for the bullfights, for which most of us had tickets, we would have passed the whole afternoon here, immersed in the camaraderie we shared and in the reverie of this magical place.  Reluctantly, for the fight was to begin at six and Pamplona was at least an hour away, we packed up and wound our way back down the curvy mountain roads to the fiesta with another tale to add to the legends of the pass of Roncesvalles. 

- - The End - -


 

* * * * *
 

Shall deeds of Caesar or Napoleon ring   
More true than Don Quixote's vapouring?
Hath winged Pegasus more nobly trod
Than Rocinante stumbling up to God?
 
Poem by Archer M. Huntington inscribed under the Don Quixote on his horse Rocinante bas-relief sculpture by his wife, Anna Vaughn Hyatt Huntington, in the courtyard of the Hispanic Society of America’s incredible museum at 613 W. 155th
Street, New York City.
 ____________________________________________________________________________________

 Gastronomy Blogs


In 2019, again ranked in the Top 50 Gastronomy Blogs and Websites for Gastronomists & Gastronomes in 2019 by Feedspot. (Last Updated Oct 23, 2019) 

"The Best Gastronomy blogs selected from thousands of Food blogs, Culture blogs and Food Science blogs in our index using search and social metrics. We’ve carefully selected these websites because they are actively working to educate, inspire, and empower their readers with frequent updates and high-quality information."  

36. Gerry Dawes's Spain: An Insider's Guide to Spanish Food, Wine, Culture and Travel

 
About Gerry Dawes



"My good friend Gerry Dawes, the unbridled Spanish food and wine enthusiast cum expert whose writing, photography, and countless crisscrossings of the peninsula have done the most to introduce Americans—and especially American food professionals—to my country's culinary life." -- Chef-restaurateur-humanitarian José Andrés, Nobel Peace Prize Nominee and Oscar Presenter 2019




Gerry Dawes was the Producer and Program Host of Gerry Dawes & Friends, a weekly radio progam on Pawling Public Radio in Pawling, New York (streaming live and archived at www.pawlingpublicradio.org and at www.beatofthevalley.com.)



Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. He was a finalist for the 2001 James Beard Foundation's Journalism Award for Best Magazine Writing on Wine, won The Cava Institute's First Prize for Journalism for his article on cava in 2004, was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles & Gourmets) prize in 2009 in Getxo (Vizcaya) and received the 2009 Association of Food Journalists Second Prize for Best Food Feature in a Magazine for his Food Arts article, a retrospective piece about Catalan star chef, Ferran Adrià. 






". . .That we were the first to introduce American readers to Ferran Adrià in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish table. Gerry once again brings us up to the very minute. . ." - - Michael & Ariane Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher, Food Arts, October 2009. 




Pilot for a reality television series on wine, gastronomy, culture and travel in Spain.
 

Experience Spain With Gerry Dawes: Customized Culinary, Wine & Cultural Trips to Spain & Travel Consulting on Spain  

Gerry Dawes can be reached at gerrydawes@aol.com; Alternate e-mail (use only if your e-mail to AOL is rejected): gerrydawes@gmail.com


 * * * * *
If you enjoy these blog posts, please consider a contribution to help me continue the work of gathering all this information and photographs for Gerry Dawes's Insider's Guide to Spanish Food, Wine, Culture and Travel. Contributions of $5 and up will be greatly appreciated. Contributions of $100 or more will be acknowledged on the blog.

* * * * To make your contribution, please click on this secure link to Paypal.* * * *


Tuesday, July 9, 2019

Pamplona: Memories of Alicia Hall in Sanfermines, Legendary Picnics in Ronscesvalles & Other Vignettes from Alicia's Aura

* * * * *
 (All photographs copyright 2018 by Gerry Dawes.)

Alicia Hall, Sanfermines, early 1970s.
Photo by Gerry Dawes.

My late ex-wife Diana Valenti Dawes and I  spent many wonderful sanfermines with Alicia Hall from 1970 through 1975 and in 1977 and 1978. Some years we began in Burguete before fiesta, staying at Hostal Burguete, which was Ernest Hemingway's inspiration for Jake Barnes' hotel during his trout fishing expeditions in The Sun Also Rises.  We would drive Alicia up there and spend a quiet relaxing time - - reading, walking out on the road to Roncesvalles to pick tiny wild strawberries to put on our ice cream after dinner at the Hostal Burguete and having long discussions about Spain over dinner with plenty of vino tinto


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